ABOU BEN ADHEM

Stained Glass by Edward Coley Burne-Jones

Following my previous blog, here is a further poem by The Victorian poet, Leigh Hunt, and extremely popular in the early 20th Century for for being learnt by heart in schools.

Abou Ben Adhem (may his tribe increase!)

Awoke one night from a deep dream of peace,

And saw, within the moonlight in his room,

Making it rich, and like a lily in bloom,

An angel writing in a book of gold:—

Exceeding peace had made Ben Adhem bold,

And to the presence in the room he said,

“What writest thou?”—The vision raised its head,

And with a look made of all sweet accord,

Answered, “The names of those who love the Lord.”

“And is mine one?” said Abou. “Nay, not so,”

Replied the angel. Abou spoke more low,

But cheerly still; and said, “I pray thee, then,

Write me as one that loves his fellow men.”

The angel wrote, and vanished. The next night

It came again with a great wakening light,

And showed the names whom love of God had blest,

And lo! Ben Adhem’s name led all the rest.

. . .

Jenny Kiss’d Me

LEIGH  HUNT  (1784–1859)  was an essayist, journalist and poet of the Romantic Period in English Literature.  Not perhaps one of the leading Romanticists, but he, nevertheless, did much to bring their poetry to prominence in the early 19th century, particularly through his friendships with Shelley, Keats and Byron, and by means of his editorship of the influential literary magazine, The ‘Examiner.’

A short poem of his, which I’ve long enjoyed for its sweetness and simplicity, is Leigh Hunt’s verse, originally entitled ‘Rondeau’, but more generally known as ‘Jenny kiss’d Me’.

This charming poem is said to have been inspired by a meeting, following an illness, with the wife of his friend, the eminent historian Thomas Carlyle.

JENNY KISS’D ME  . . .  By Leigh Hunt (1838

Jenny kiss’d me when we met,

Jumping from the chair she sat in;

Time, you thief, who love to get

Sweets into your list, put that in!

Say I’m weary, say I’m sad,

Say that health and wealth have missed me,

Say I’m growing old, but add

Jenny kiss’d me.

THE CANAL HORSE

On the Great Western Canal at Tiverton, Devon . . .  Photo – WHB – 2013
 

THE CANAL HORSE

Sedate
And ponderous
He carries his weight lightly
But without pace
It is summer work
Plying the bank
Subject to the weather
And his master
Apparently contented
But perhaps sad
Would he rather be elsewhere
But what would he know
Of elsewhere
This has been his life
His only life
Since brought into this world
Delivered as a foal by a mother
Who knew only this very same life
Tutored on this very canal bank
Learning the towpath’s bends
Its tricky turns
The track ruts to avoid
The necessary manoeuvres
When hitching up
H is purpose in life
Why else was he brought into this world
He knows his master
Trusts and
Respects him
Always by his side
His every command
Gentle but firm
A tug on the lead
A wary grunt
They tread the canal bank
The towpath to pleasure
Other’s pleasure
His Pilgrim’s Way
The daily round
His common task

On the Great Western Canal at Tiverton, Devon . . . Photo – WHB – 2015

Broken only at the terminus
A half-way respite
By the bridge
A brief uncoupling
A hay bag
A nuzzle
A few photographs
Then the return
The narrow boat his carriage
Its passengers his charges
He carries on
Always carries on
Trundling his life
In peace
In tranquillity
His boat
His harnessed heritage
Disturbing the reeds
And the ducks only
Creating a minor slipstream
Before the end
Disembarkation
Then a brief hiatus
Before the ever echoing pattern
Repeats itself
As do the days
And the months
Until
Darkness descends
And time
Ceases to exist

On the Great Western Canal, Tiverton, Devon . . .  Pen & Wash by WHB – 2013

This canal ride is offered during the Summer months on one of the last Horse-Drawn Barges in Great Britain.  Scheduled rides on the canal boat start and end from the point where the Great Western Canal commences, in Tiverton, East Devon.  Details of what is on offer  at this delightful site and timetable of the canal trips can be found on the website below  . . .

http://www.tivertoncanal.co.uk/floating-cafe-bar

A BBC TV Video of this canal barge experience is also made available via this website

SUICIDE ON A WHIM

‘River Liffey Inciden’t . . . Pen & Wash . . . WHB – 1994

SUICIDE ON A WHIM

Suicide on a whim
is not unheard of
but few such perpetrators
live to tell the tale

one such
rescued from his indecision
by the Gardai
lived through his trauma

sweet Liffey run softly
while I tell the story

distraught by his
gambling debts
and the drinking
his only way to a conclusion
seemed to him to be
voluntary
self-inflicted
euthanasia
yes
he thought
that he wanted to die
half-determined
part irresolute

in a single moment of wavering
he had jumped
just fell perhaps
but the fear
and the cold water
soon hit him
hit harder
than the twenty foot drop

an instinctive cry
escaped him
you could call it
a change of mind
his cry for help
was a second thought
an unintended consequence
of his half-hearted conviction

and now he was held
grasped in a rescue bid

but did he wish to be salvaged
to be pleaded with
would that bring him
the closure he craved
attention unwanted

but secured
attention secured
but unwanted

and still
he could not let go
the ladder
his passport to life
a life he did not desire
could he bear to go there
yet again
to continue
victim to more pain
to yet more anguish

but temporary chagrin
is no killer
his cri de coeur
answered
his indecision
thwarted

is it heads or tails
is it stay or go
is life’s hurt
greater than death’s pain
is future shame
worse than eternity’s
opprobrium

we will never know
the prognosis
I suspect
he is still amongst us
ever indecisive
a suitor for attention
defaulting on his debts
not stopping at three pints
one of life’s
protean chancers

‘NICE’ is not NICE

NICE is not NICE

‘NICE’ is not a nice word”
My teacher said to me,
“If you can choose another
The better it will be.”

To say that something’s ‘NICE’,
As to say that it’s ‘OKAY’,
Hardly sounds exciting
And savours of foul play.

Both words are ineffectual,
They flatter with faint praise.
Far better to be forceful
And use a fitter phrase.

#     #     #

‘PLEASING’ is a good one
It has that ring of truth;
What’s more it sounds appealing
Trips lightly off the tooth.

‘GOOD’ is even better
Positive and clean;
It fits unto the letter
And shows us what you mean.

‘JOYFUL’ sounds appealing
And improves all that you say;
Surely has more feeling
Than having a ‘nice’ day.

‘LUSTROUS’ sounds exotic
But still might fit the bill;
It lends a feel of brightness
Drops lightly from the quill.

‘BEAUTIFUL’s a mouthful
But serves your purpose well;
It speaks of cosy warmth
And has a tale to tell.

‘CHARMING’ is a good word
And speaks of utter joy;
It could launch a thousand ships
As once did Helen Of Troy.

‘GREAT’ would suit your purpose
There’s nothing wrong with that;
Shades of fame and grandeur
More than just chit-chat.

‘PLEASANT’, that is better
It sounds as though you mean it;
An honest word to proffer
And you’re not out to demean it.

Try ‘LOVELY’ if you like it
That strikes a fitting note;
Enhances your description,
Improves all that you wrote.

‘POSITIVE’ is good
Whole-hearted  and inclusive;
It shows you really mean it
Yet isn’t too intrusive.

‘DELIGHTFUL’ sounds exciting
Expressing joy and bliss;
But ‘Ducky’ is a No-no,
I should give that a miss.

#     #     #

Many possibilities
Line up to be used
Instead of NICE or OK,
But do not get confused.

The choice is yours dear poet
Don’t just throw the dice,
Use your ingenuity …
But remember to be NICE !!!

#     #     #

The Lessons Of History

The lessons of history are all around
Etched on death’s memorial
But who looks at memorials?

The war to end all wars ended
But the peace had not been won

Exchanging eyes
Has not proved a workable proposition
And yet the attempt goes on
And mankind is condemned to try again
To seek an end to conflict
By perpetuating conflict itself

Those lessons from the past
Unlearnt
At best misunderstood
Ignored
And so it continues
The errors of the past
Visited on countless future generations

Fear reigns
And stultifies hope
Because mankind remains
Because mankind will not change
Still comatose
Sleepwalking into conflict again
Again
And yet again

Original sin
Casts its sinister shadow
Over hope
And so
The cycle continues
War and peace
Unfeasible bedfellows
History hardly notices the difference

But we do
And suffer for it

The two illustrations above were scanned from my copy of Holbein’s ‘Le Triomphe De La Mort’ published in

1780 … Etchings of Holbein’s originals by Chr.De Michel

‘CAGED’ – William Blake … 1757-1827

‘Caged Beauty’ … Pen&Ink – WHB – 1981

FROM: ‘ Auguries of Innocence’

BY . . . William Blake

“ . . . A Robin Redbreast in a Cage
Puts all Heaven in a Rage.
A dove house fill’d with doves and pigeons
Shudders Hell thro’ all its regions.
A Dog starv’d at his Master’s Gate
Predicts the ruin of the State.
A Horse misus’d upon the Road
Calls to Heaven for Human blood.
Each outcry of the hunted Hare
A fiber from the Brain does tear . . . ”

William Blake … Poet & Artist  … 1757-1827

LANGUOR

Bruton, Somerset . . .  Pen & Wash – WHB – 2016

Contentment suffuses the scene
And peace lies softly on the land
Life languishes in its grip
Labour held in thrall to lassitude
Neglectful now of endeavour.

In the calm
Of the midday sun
The farm sleeps on
Parading its contentment
Revealing its accord
With its heritage
By just being there
Seemingly throughout time
Amid the rolling fields
Savouring
The languor of a lazy day
The serenity
Of a sublime summer

The quiet joy of existence
Tells more of peace
Than a thousand pacts
Life lived
In alliance with nature
Endowing us with serenity.