My Bird Of Paradise        

When I awoke and drew the blinds
One bright and sunny day
A sight awaited my poor eyes
Which filled me with dismay.

When looking out my bedroom window
I’ve never before found
Something which has so puzzled me
It truly did astound.

Exotic birds do not frequent
My garden usually
But yesterday I gazed at one
Amazed – excusably.

Was it a bird of ill omen
Sent to cause me worry
I told myself, “I doubt that much,
At least not here in Surrey.”

Perhaps a Bird of Paradise
Had managed to break free
From its New Guinea jungle home
And come to delight me.

Maybe a Rainbow Lorikeet
Toucan or Golden Pheasant
Peacock or a Red Macaw
Sent here as a present.

I was quite mystified you see
Until this afternoon
The gardener came, looked up and said,
“It’s an escaped balloon.”

I was quite mortified to find
I had not recognised
My own discarded birthday gift.
… I’m so demoralised.

Photos: WHB – Surrey – 2016

THE TORCH I CARRY

‘The Depths Of The Sea’ (The Lure Of The Sirens) … Sir Edward Coley Burne-Jones (1881

THE TORCH I CARRY

I carry a torch for the ocean
In her relentless swell I am held
My light will see me to the foreshore
Where vast wave and mild ripple meld.

For though my love’s unrequited
As I walk on the shore by the sea
The sight and the sound of her motion
Bring solace and hope back to me.

For when I watch her crescendo
Its beauty and force I admire
The sigh and the roar of her surges
Are those of a celestial choir.

My heart is in thrall to her passion
Her awesome breakers I ride
White horses call me ever forward
To meet the turn of the tide.

And when she is still as a millpond
My senses respond in repose
My life consummates in devotion
All yearning brought to a close.

Yes, the lure of the Siren defeats me
I am snared by her destructive song

I have given my all to her beauty
Now only to her I belong.

THE SUBSERVIENT MOON

THE SUBSERVIENT MOON

Each day
The rising sun
chases the moon away
To hide its limpid light
From the brightness of day.
Cowed in its lair
Within the darkness
Of its sylvan hideaway,
Preferring to lie
With the leaves
And squirrels
And, as Clytie,
Watch the skies,
Following Helios’s chariot,
Gazing as he
Arcs the heavens,
Jealous of his power,
Fearful of his revenge
Were she ever to show her face
In his presence.
Ever allowing her nemesis
To hold sway
Over the new day,
Commanding the attention of the world
And continuing his journey;
The dominant presence
In the cerulean sky.

When is the moon not a moon? 
… When it’s the sun in a circular mirror. 

The three photographs are of a reflection in a window of daylight, itself reflected in a circular mirror and back onto the glass of the window.
All photographs by me – March 2017 … Roland (WHB) 

My Sea Nymph

‘My Nereid’ … Pen – WHB – 2017
 

My SEA NYMPH

you

my nereid

emerging 

from the

burgeoning

vibrant waves 

that break

on that

far shore

of that 

distant sea

only to

dissolve

into ripples 

as I rush

to greet you

plunging 

into the breakers

as you

fade

into the foam

quiescent now

along with 

my dream

Distant Waves … Pen – WHB – 2017

The Lily Pond

Lily Pond at Hestercombe House, Taunton, Somerset . . .   Watercolour  -WHB  c.2003

No murmur breaks the silence
the afternoon is still
the pool reflects the calmness
which hovers in the air

The colours
and the scent of flowers
speak only of serenity
and peace
the splendour of the garden
throbs with Nature’s pride
a statement of the passion
and the pleasures of creation

Tall distinguished Iris
goddess of the rainbow
clutch the water’s edge
radiating their vibrant heritage
stealing the sun’s power
to enhance their golden presence
their stature
their boldness
speaking their nobility
and proudly defining
their cool distinction

Whilst languid water lilies
blanket the pool’s surface
coveting recognition of their worth
their foot pads
watery meniscus
a haven for the diffident carp
shading all the pool’s life
from the sun’s keen scrutiny

And then recalling
their antique role
in baiting
that languorous youth Narcissus
by encouraging the pool’s mirror
to reflect his admiration
bolstering his vanity
and tempting him
to his destruction

Skulls – A Halloween Meditation

A West Country Skull . . Photo: WHB2021

What better encapsulates
Life’s end
Dust to bone
In resolution
IlAnticipated
Never remembered
Indescribable experience
Expressed in an image

In memoriam
Deferring to Absent Guests
I give you
The Skull beneath the skin
The Quick extolling The Dead
A cadaverous resurrection
Memento More
Become Death’s Head
Where Is Thy Sting?
Heads You Lose
Tails? – I win
Bone Dry
Let Us. Pray.
All Bone – No Meat
Jolly Roger – Old Codger
Jammy Dodger
Brolly Bodger
Death’s Sting
Is corpsing
And, pared to the Bone,
Becomes Life’s Detritus
Leftover leftovers
Smile Of The Devil
Halloween’s halo
All Done and Dusted
Life’s slipstream
Dracula The Goth
Moonshine pale
Reborn as Life’s Dust
What Remains
Only the Death Mask
Wool Skull
To numb skull
Skullduggery again
Rebirthing as
Cranium geranium
Bonehead!

The Sandman

THE  SANDMAN

The sandman looms

long and low in the westerly sun

on the evening shore

treading his beach

with dedicated feet

an image hunter

heir of Autolycus

searching

 for Nature’s hidden ornaments

probing with his stick

revealing the sand crabs

tempting the tide to turn

and wash away his presence

leaving no imprint

only a fleeting glance

a captured instant

of memory

of another world

arcane and mystical

beneath the sand

before the glimpse

releases him

and he moves on

into the dying day.

The Sandman was spotted on the beach beside Bamburgh Castle, Northumberland,UK, in 2003 …
Photo and sketch …  WHB

The Ballad Of Beggar’s Bridge

This bridge, in a traditional Pack Horse shape, has remained intact straddling the River Esk near the moorland village of Glaisdale, in the North Yorkshire Moors National Park, for 400 years.   The village is about ten miles inland from Whitby, where the River Esk flows into the North Sea.
It is known as Beggar’s Bridge, and was built in 1619, by Tom Ferris, a local man, son of a poor moorland sheep farmer.   Having been turned down as a suitable suitor for his love, Agnes, by her wealthy land-owning father, Tom vowed to seek his fortune and to one day return to claim Agnes’ for his wife.  After many adventures at sea, Tom returned, now a rich man, married Agnes, and prospered, to such an extent that he eventually became the Lord Mayor of Hull.  The bridge, it is said, was erected by Tom as a memorial to his wife, and as a means for future lovers to cross the river without having to brave its often flooded waters.  The story, as it has been passed down, is a mix of fact and fiction.  The basic facts are essentially true, but the story, has become a local legend and has, no doubt been embellished over the course of time.

I have tried my hand at re-telling this story in a simple and traditional ballad style, the results of which efforts I give below . . .

THE BALLAD OF BEGGAR’S BRIDGE

He lived beside the river Esk
In a fair delightful dale
His story I must tell you now
A truly stirring tale.

Tom loved a lass of high estate
It was not meant to be
For she was of the Manor born
A lowly lad was he.

Her father disapproved the match
Tom was of lowly birth
No land, no money, no position,
Of very little worth.

But their shared love was sound and solid
So secretly they met.
They shared their passions willingly
But always under threat.

Poor Tom was restless and intent
To run away to sea;
He held fast to the thoughts that stirred
Inside him to be free.

He knew one day he’d win his bride,
He would not be gainsaid;
Beyond this dale there was a world
Where fortunes could be made.

So one dark night he set off late
To wish Agnes farewell
To promise to return for her
To ever with her dwell.

She lived beside the river too
But on the other side.
He therefore had to swim across
He would not be denied.

The Esk just then was in full spate
It swirled along the dale.
It almost took Tom’s life that night
He knew he must prevail.

With strength of ten he forged a path
Across the raging stream;
He dragged his aching body out
As if within a dream.

With his goodbyes Tom gave his word
That some day he’d return;
And Agnes gave her solemn oath
She’d wait for him in turn.

Tom took himself to Whitby town
And soon with Drake joined battle;
Against that Spanish fleet he fought
Saw off the invading rabble.

A rover in West Indies then
And piracy his game.
Plunder and pillage gave him wealth
And brought a kind of fame.

He felt that now he could return
To claim his promised bride;
Confront her father without fear,
With new found hope and pride.

And so to Glaisdale Tom returned
His roving days now past.
True to her word Agnes rejoiced,
Her hopes fulfilled at last.

They married soon and lived in bliss,
Or so the story goes.
Tom grew in wealth, in fame, in power,
Commanding all he chose.

Throughout the north he garnered fame
His name grew ever bigger.
Lord Mayor of Hull he then became,
Now a respected figure.

And when his Agnes died at last
Their story he declared,
Would with a bridge over the Esk
With all the world be shared.

A bridge to join the river’s banks
To help new lovers’ trysts;
A bridge secure from spate and flood
Which to this day exists.

The reason it’s called Beggar’s Bridge
No one is very sure.
‘Tis thought was done to prompt us all
That Tom was once so poor.

THE FORSAKEN MERMAID


Photo: WHB – taken in Aberporth, Ceredigion, on the West Coast of Wales, facing towards Cardigan Bay and the Irish Sea

She emanates wistfulness
melancholy, sorrow
bound to her rock
out of sight of her sea.
Andromeda’s prison
awaiting her Perseus.

She thinks of the sea,
beseeching the ocean,
to roll in and take her
to wash her away
to be lost in the waves
to swirl with the kelp
in that pellucid world
in those welcoming depths
to join the white horses
to laze in the rock pools
bask on the corals
where once were her friends

No coteries here
no sisters, no mermen,
no one to favour her –
offspring or lovers.
That whirlpool which bred her
the spray which had bathed her
sequestrated and gone now
no longer her milieu.

Is this always and ever
is this life’s stricture
retribution for what?
For loving her kingdom
her aquatic birthright?
Or for being in form
not fish, fowl nor fiend?

For living a life
half tide-borne,
half earth-child,
hermaphrodite, epicene,
ambiguous, undefined,
a shadowy being,
crippled, malformed?

Her joy now –
the sunlight,
the breeze
and the dew
the song of the seagull
the far sigh of the sea.

Only these now remind her
of when she was free.

Poem: WHB (Copyright)

CLYTIE

‘Clytie’ Sculpted by G.F.Watts … Pen & Ink sketch: WHB

In the verses below, I attempt to express Clytie’s plight when she finds her love for the Son God, Helios, rejected, and she is committed to watch his daily flight across the heavens in his winged chariot .  Eventually she is transformed into a sunflower or heliotrope , condemned for ever to follow the sun’s movements across the sky.

C L Y T I E

As dusk takes over from the day
I stand on Helios’ shore and weep.

Light for my soul,
Lust for my life;
These no more can I strive to keep.

Yet there is hope because the night
Is followed by expectant day.
The sun will rise
With hope intact,
And I’ll revive my destined way.

The languid sun will lift at dawn
Over the shimmering tranquil sea.
It is my dreams,
My Holy Grail,
And promises new hopes to me.

The sun renews its daily task.
As Clytie, I still strive to meld
Lovers’ aubade,
Their serenade.
With this till dusk my life is held.

Time’s chariot, its path I trace;
Helios arcs across the sky.
Till evening ends
In blood red  gore,
And once again I die.

But then again the cycle breaks
When dawn extends to dusk its kiss.
It’s carmine clinch,
Crimson caress,
Herald again life’s feud with bliss.