THREE RONDELETS

The RONDELET   is a poetic form originating in France.  It consists of a single septet (7 lines) with just two rhymes and one repeating refrain, in the fom of: AbAabbA.  (The capital letters represent the repeats. The 3 refrains (A) are written in tetra-syllabic (dimeter) and the other lines are twice as long, these being octasyllabic (tetrameter).

Below I print three of my attempts at constructing a RONDELET – all on the subject of ‘PARTING’ . . .

Scanned image by Philip V.Allingham of a wood engraving by Dalziel at: http://www.thevictorianweb.org

ON PARTING … 1

Tell me to go
I know at last that we are through
Tell me to go
 The damage is to all on show
 And time is up for me and you
Better move on to pastures new
Tell me to go

ON PARTING … 2

But now we part
I know I’ll miss your every kiss
But now we part
The hurt has caused my broken heart
I am not given to reminisce
But your embrace I know I’ll miss
But now we part

ON PARTING … 3

(A similar form, but not strictly a Rondelet,

the lines of the refrain being in trimeter ! )

Love me or let me go
The hurt is more than I can bear
Love me or let me go
Stop dealing me that parting blow
You tease and tempt my heart to ensnare
Without a thought to commit or share
Love me or let me go

The description, with examples, of this poetic form can be found on the :
  ‘Shadow Poetry’  website

A Lifetime Away

Guisborough Priory – North Yorkshire, England

Three hundred miles
and a lifetime away
from the place where I was born 
the memories are vivid
burned into my soul
heightened by distance
by time past

Ghosts of my past
inhabit my dreams
chances gone begging
opportunities missed
loving and leaving
a heritage of hope
bringing certitude
where doubt once held sway.

I loved and love
those dark purple hills
outcrops and the Nab
towering over the town
Cass Rock
where Sisyphus finally capitulated

Beyond these,
just rolling
heather clad moor
soft dales 
grey-green heathland,
burnt golden yellow gorse
and swaying bracken

And on the scarp slope
the detritus of iron mines
defunct air shafts
ancient workings
the ruins of hard labour
and alongside these
pyramids of shale and slag
creating their own foothills
bracken spores now binding
their surfaces
reconstructing life
nature reclaiming its own

And the view which nurtured me
from my school room
of graveyard and priory
its arched east window
tracery shattered
configuring my sky

The ancient stone dovecote
now sheltering jackdaws
ravens, blackbirds.
the Norman arched gateway
still standing adrift
isolated from the remnants
of its dismantled
castellated walls
whose dispersed masonry
now furnishes
so many of the town’s dwellings

The mill pond stocked still
by the descendants of those
pre-dissolution carp
the Augustinians first introduced
fed and nurtured

The monk’s walk
cloistered
by beech and birch
sheltering silent contemplation
which
even now
as I tread in their footsteps
I replicate
in awe and reverence

And in the Apple Garth
where now the wheat
is harvested
still a silent windswept
arbour
now lovers
not penitents
linger
embrace
exchange kisses
and vows.

Thus am I now
beholden to the past
nurturer of my present
promise of my future

Roseberry Topping, Cleveland Hills, N.Yorkshire

Six Lanturnes

The LANTURNE is a traditional poetic form which has a five-line verse, normally without rhyme, in the shape of a Japanese lantern.
It has a syllabic pattern of one, two, three, four, one.
Below ,I have composed six loosely connected verses in this form . . .

  Raise
 your voice
 make it ring
don’t let it die
   sing

Vows
last long
when new but
promises  soon
   die

  Love
  yields hope
 but time tells
and soon it dies
    hurt

    Life
 brings joy
But  sorrow
Intrudes too soon
    … Damn!

 I
alas
will die soon
leaving this life
  hurts

Cry
and ask
this fool world
to  forgive  your
    tears

Sharing the Glow

Photo: Loch Awe,Scotland . . . WHB 19990

Sharing the Glow

I remember that evening –
The sun sinking low,
When you stood beside me
Sharing the glow.

We bathed in that splendour –
That golden sunset,
Drenched in that promise
I’ll never forget.

I held your hand tightly,
Placed a kiss on your lips
In youth, in the gloaming,
The lie was eclipsed.

For then we were young,
Life had not bitten hard.
Our futures seemed certain
But we let down our guard.

I left with a pledge,
But never returned;
Dissolved into dreams
Your derision I earned.

But now we are older,
Life has taken its toll.
Is it too much to ask,
Can I recapture your soul?

Now that same sun is sinking
Setting fire to the sea;
Can this Phoenix bring hope
To you and to me?

Let me hold your hand now,
Place a kiss on your lips,
For bliss in old age
Does all else eclipse

The RECLUSE

The RECLUSE

I am not a driven man
Consumed by purpose
I have ambled along life’s path
No particular aim in mind
I take no pride in not being assertive
For I have let life happen
Not forced its course
Little guidance have I sought
Or been offered
Little forethought have I given
I steered no path between the tides
To avoid the quicksands
Or to avoid being tempted by the Sirens’ wail
Gratefully
I was not confronted with
Scylla and Charybdis
I would have baulked with indecision
And without a philosophy
Religion no longer holding any sway with me
No politics to speak of
An indolent practitioner of life
Without imperative
Perhaps too conscious
Of everyone else’s point of view
For this no doubt I’ll pay a price
And when the final reckoning comes
They’ll say “He never cared”
But they will be wrong.
I cared too much to confront
My irresolution
And now I suffer for it.

THE BECK

THE BECK

the beck
my beck
North England
Old English bece
Dutch beek
German bach
my beck
my early life
my once-upon-a-time world

it was all things to me
my territory
my front line
against the outside world
fell in
fished out
fished in
fishes out
tiddlers
minnows
sticklebacks
 countless times
jumped it daily
dammed it
constructed waterfalls
floods flooded
floods receded
dredged
repaired
renewed

succoured my imagination
my coliseum
 my Olympic stadium
succeeding
my umbilical chord
as my link to the world
it ran through my heart
and past my house
gave me a ballpark
my own adventure playground
complete with running water
subterranean tunnels
waterfalls
dams
stepping stones
overhanging trees
to climb
to suspend myself
dangling
over the running water
sandstone-walled bridges
for carving initials
routes to explore
in both directions
crossings to navigate
ledges to crawl along
overgrown banks
forbidden sections
Rubicon for gang warfare
Lethe at dusk

above all
suspending my belief
in dreams
for this was my reality

once upon a time

Photographs . . . WHB – 2016 – Guisborough, North Yorkshire

A PRETTY DITTY

A  PRETTY DITTY

Yes, dear, of course,
You’re the source
Of my discourse

And I really do fear
That if you were not near
Then I wouldn’t be here

But you said I can’t write
So to prove you weren’t right
I really just might

Have a go at a poem
‘Cos I”m no protozoan
Much more Leonard Cohen

So I say to you, darling,
I won’t be alarming
Instead I’ll be charming

I’ll write you a ditty
Both witty and gritty
Decidedly pithy.

So, what is a ditty?
… Tell the committee
It’s got to be pretty!

Not any old dirge,
Or nonsensical splurge
Would most likely emerge.

And no sort of verse,
However terse
Or completely perverse
Could possibly be worse.

… SO, HERE GOES …

It’s a pity
When a ditty
Isn’t witty

It’s a shame
When a dame
Gets the blame

It’s absurd
When a bird
Can’t be heard

And it’s sad
When a lad
Turns out bad

When a boy
Full of joy
Becomes coy

Tell me why
You don’t try
To comply

Why disguise
All those lies
I despise

I can tell
You’re not well
When you yell

It is said
Lose your head
You’ll be dead

Do not sigh
That is why
I will try

You will  find
When you’re kind
I won’t mind.

So your disdain I pre-empt,

Can I now be exempt?

With this brave attempt

I’ll risk your contempt.

My Bird Of Paradise

When I awoke and drew the blinds
One bright and sunny day
A sight awaited my poor eyes
Which filled me with dismay.

When looking out my bedroom window
I’ve never before found
Something which has so puzzled me
It truly did astound.

Exotic birds do not frequent
My garden usually
But yesterday I gazed at one
Amazed – excusably.

Was it a bird of ill omen
Sent to cause me worry
I told myself, “I doubt that much,
At least not here in Surrey.”

Perhaps a Bird of Paradise
Had managed to break free
From its New Guinea jungle home
And come to delight me.

Maybe a Rainbow Lorikeet
Toucan or Golden Pheasant
Peacock or a Red Macaw
Sent here as a present.

I was quite mystified you see
Until this afternoon
The gardener came, looked up and said,
“It’s an escaped balloon.”

I was quite mortified to find
I had not recognised
My own discarded birthday gift.
… I’m so demoralised.

Photos: WHB – Surrey – 2016

THE TORCH I CARRY

‘The Depths Of The Sea’ (The Lure Of The Sirens) … Sir Edward Coley Burne-Jones (1881

THE TORCH I CARRY

I carry a torch for the ocean
In her relentless swell I am held
My light will see me to the foreshore
Where vast wave and mild ripple meld.

For though my love’s unrequited
As I walk on the shore by the sea
The sight and the sound of her motion
Bring solace and hope back to me.

For when I watch her crescendo
Its beauty and force I admire
The sigh and the roar of her surges
Are those of a celestial choir.

My heart is in thrall to her passion
Her awesome breakers I ride
White horses call me ever forward
To meet the turn of the tide.

And when she is still as a millpond
My senses respond in repose
My life consummates in devotion
All yearning brought to a close.

Yes, the lure of the Siren defeats me
I am snared by her destructive song
I have given my all to her beauty
Now only to her I belong.

Am Not Your Toy Boy

‘Toy Boy’ – Pen & Wash WHB . . . 2017

I AM NOT YOUR TOY BOY

Had enough of being your toy boy

I am not a toy

I am marked

‘Not to be toyed with’

It’s happened to me before

I’m much wiser now

Won’t let it happen again

To have my affections trifled with

Is no trifle

Hurts and damages any toy.

So think again dear lady

Find some other mug

One with a wealthier handle

Or one with a see-through wallet

Besides I don’t do the clubs

Not cougar-fodder

I don’t need to re-live my youth

In someone else’s image

We’re not on Route 66

And, for me, selfies are verboten

You catching me in a spin

Texting those wild come-on

WhatsApps

For your later production in court.

Ought to be ashamed – and at your age!

Me – pushing eighty

And you …

I don’t care how you get your kicks

You must be all of ninety six.