The Kite

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Photo: WHB: N.Yorkshire – 2020   ©

As I watch
I marvel
In the silence
At the steady
Rise and fall
The relentlessness
Of that
Sinister hover
That searchlight gaze
The taughtness
Swoop-ready
Slight rise here
There a minimal
feathered fall
And always
The graceful motion
Governed by the gentle breeze
And those deadly eyes
Ever searching
For quarry

Oh the stillness
The forbidding silence
Alive with threat
Fine-tuned tension
So aware
Watchful
For that significant stir
in the grass below
That silent murmur
Minimal movement

No more than
a tension in the air
A breathing of the grass beneath
To excite his gaze
And trigger
His thunderbolt descent

 

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Photo: WHB: N.Yorkshire – 2020   ©

Chocolate Words

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CHOCOLATE WORDS

I love words
in the way
I love chocolate.
Their lingering taste
Their whispering style
They way they trip off
Slip off
the tongue
Words to bear in mind
Leaving such pleasures behind

And always
That thrill
That musical trill
That sensuous sound
Discarding meaning
But leaving
feeling
The desire for more
Encore
The poet’s drug-store
Treasure Island

I’d like a word with you
A word in your ear
Shakespeare
So I’ll be wordy-wise too
Will
take  some words
and run with them

I heard a word
One day in May
I heard it say
Come here and play
So undeterred
A word occurred
Third word
The word purred
Absurd word
‘Twas mockingbird
Northern Mockingbird
Mimus polyglottos
glottal stop
or “glo’al stop”

You see where it can take me
Tangential thought
Verbiage onslaught
Overwrought
Logorrhoea
Here, here!

Words abound
Words of wisdom
Words of truth
Their singing sound
stirred, blurred, slurred,
So play on words
Herds of words
Let their joy sing
and let them bring
Creation’s wellspring
and thus … let the welkin ring

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Ted Hughes – ‘Hawk Roosting’

(No.63 of my favourite short poems)

Ted Hughes, born in Yorkshire in 1930, was Poet Laureate in the last years of the 20th Century, from 1984 until he died in 1998 at the age of 68.   His tempestuous marriage to the American poet, Sylvia Plath, lasted only six years.   Hughes explored this difficult relationship in his last major published work, ‘Birthday Letters’.

As much of his work demonstrates, Hughes was intensely interested in and affected by the natural world.  In ‘Hawk Roosting’, one of his early published poems, he conveys the commanding presence of the hawk looking down on the world, his world, from a place of eminence.  He considers himself as monarch of all he surveys, conveyed so powerfully by Hughes in this poem.

The Hawk

‘The Hawk’ … WHB – Pen & Wash,  2017

Hawk Roosting

I sit in the top of the wood, my eyes closed.
Inaction, no falsifying dream
Between my hooked head and hooked feet:
Or in sleep rehearse perfect kills and eat.

The convenience of the high trees!
The air’s buoyancy and the sun’s ray
Are of advantage to me;
And the earth’s face upward for my inspection.

My feet are locked upon the rough bark.
It took the whole of Creation
To produce my foot, my each feather:
Now I hold Creation in my foot

Or fly up, and revolve it all slowly –
I kill where I please because it is all mine.
There is no sophistry in my body:
My manners are tearing off heads –
The allotment of death.
For the one path of my flight is direct
Through the bones of the living.
No arguments assert my right:

The sun is behind me.
Nothing has changed since I began.
My eye has permitted no change.
I am going to keep things like this.

 

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William Blake – ‘On Another’s Sorrow’

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This poem, in its first published form is by the English poet and painter, William Blake (1757-1827).   Blake was not highly recognised during his lifetime but is now regarded as a leading poet and painter of the Romantic Period.   As an important printmaker, Blake, as he did for many others of his poems, produced the decoration himself.  The poem discusses human and divine understanding and compassion. It was first published in 1789 as the last song in the ‘Songs of Innocence’ section, part of the collection ‘Songs of Innocence and of Experience’. 

Hope

(Poem No.35 of my favourite short poems)

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Drawing in pen and ink … WHB – May 2017

HOPE

BY Emily Dickinson

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.

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A delightful, short and simply expressed poem, which expands a metaphor into a delightfully positive view of the power of Hope in our lives.  It remains with us through gale and storm, demanding nothing of us.  

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The preferred use by Emily Dickinson of dashes to punctuate her verses has been, more recently, commented on light-heartedly in a short poem of Wendy Cope’s . . .

EMILY DICKINSON

Higgledy-piggledy
Emily Dickinson
Liked to use dashes
Instead of full stops

Nowadays, faced with such
Idiosyncrasy,
Critics and editors
Send for the cops.

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William Blake … 1757-1827

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‘Caged Beauty’ … Pen&Ink – WHB – 1981

FROM: ‘ Auguries of Innocence’
BY . . . William Blake

 

“ . . . A Robin Redbreast in a Cage
Puts all Heaven in a Rage.
A dove house fill’d with doves and pigeons
Shudders Hell thro’ all its regions.
A Dog starv’d at his Master’s Gate
Predicts the ruin of the State.
A Horse misus’d upon the Road
Calls to Heaven for Human blood.
Each outcry of the hunted Hare
A fiber from the Brain does tear . . . ”

 

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FROM: ‘ Proverbs of Hell’
BY . . . William Blake

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… All wholesome food is caught without a net or a trap
Bring out number, weight & measure in a year of dearth.

No bird soars too high, if he soars with his own wings.
A dead body revenges not injuries …

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William Blake … Poet & Artist  … 1757-1827

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