Three Tercets

William Blake … ‘The Vision Of Christ Resurrected’

A Haiku, when written in English, is a 3-lined unrhymed tercet.
A Poetic  TERCET is essentially a verse of three-lines all of which end in the same rhyme and often written in iambic pentameter.  I print three of my own such Poetic TERCETS below .  . .

 THE DOUBTING THOMAS

To start each morning he would kneel and pray;

He needed that to get him through the day.

At least his god would let him have his say.

THE BOMBAST

He loved to speak and then have the last word.

His friends, such as they were, called him absurd,

The rest just closed their ears and nothing heard.

THE CHOICE

God said to Man I’ll give to you a choice,

Believe in me and then with me rejoice,

Or be a Trappist monk and lose your voice.

Nature’s Cavalcade

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Samuel Palmer -The valley Thick With Corn

Nature’s  Cavalcade

When Hopkins gloried in dappled things
He must have thought of angels’ wings
Of gossamer and cuckoo spit
Of candles flicker-lit

As Palmer did
In silent chapels
In Kentish fields

 

Of darkening woods
where sunlight hides
In sheepland pastures
On downy hills
In buttercup meadows
Where linnet trills
The silent raptures
Of sunset light
On autumn trees
Where swoops the kite
And evening captures
The thickening shadows
The cooling breeze
Midst fields of golden rippling corn
That now adorn the rustic scene
Such glory in apple blossom seen
As they, with Blake,
Held in their hand
Those grains of sand
To wonder more
How Nature’s glory
Explains itself
In storm
And stillness
In calm and frenzy
Light and shade
In setting sun
And mounting moon
The evening’s glaze
In bounteous harvest
Nature’s cavalcade
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Pastiche Poems #3

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A pastiche, created in PRISMA, of a painting of my own of Venice

PASTICHE POETRY

Following on from my opening outline of Pastiche Poetry (see my blog of two days ago titled ‘Pastiche Poetry’ ), and my blogs of yesterday  ( ‘Pastiche Poetry #2 ) and the day before (  Pastiche Poetry #1 ),  here are yet more of my own efforts (you may call them concoctions or confections if you’d rather) which I have based on the well-known opening lines of six different poets  . . .

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 To his Coy Mistress, Andrew Marvell …

Had we but world enough and time, 
This coyness, lady, were no crime. 
But I must say, I’m getting bored
With my advances being ignored.



Tyger! Tyger!
, William Blake …

Tyger! Tyger! burning bright
In the forests of the night,
Just be careful how you go
You’ll set the woodland all aglow.



Lines for a Christmas Card, Hilaire Belloc ...

May all my enemies go to hell,
Ah well, ah well, ah well, ah well.
I told them not to call my bluff
They wouldn’t listen, So that’s just tough.



She Walks in Beauty, Lord Byron …

She walks in beauty, like the night
Of cloudless climes and starry skies;
Would that she was as sharp and bright,
Instead she got the booby prize.



Mary Had a Little Lamb, Nursery Rhyme, Sarah Josepha Hale,  …

Mary found a little lamb,
She really didn’t know
What on earth to do with it,
Perhaps she’d let it go.



The Owl and the Pussy Cat, Edward Lear …

The Owl and the Pussycat went to sea
In a beautiful pea-green boat,
It wasn’t new, and right on cue,
It ceased to want to float.

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