‘Tell Me’ – A Crown Cinquain

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Crown Cinquain

 

Tell me
Pretty maiden
Where have you been hiding
Lost to me all these many years
Now found

Now found
And full of hope
I am able again
To live in bright expectation
Of joy

Of joy
Of coupled love
Rekindling lost passion
Rebirth for my expiring soul
Time heals

Time heals
The wounds of hurt
Complete again with you
Able again to face my world
In peace

In peace
We start again
The slate now wiped clean
The past dissolved in history
Hope lives

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This poem has been composed in response to Abigail Gronway’s (‘Dark Side Of The Moon’) CPC Challenge published 12/4/19.  I quote: . . .

The Crown Cinquain

Like the Cinq-Cinquain that we studied last week, the Crown Cinquain, or Cinquain Chain, is also made up of a series of exactly five Crapsey Cinquains. So what’s the difference? I’m glad you asked. The distinguishing feature of the Crown Cinquain appears in the two-syllable lines at the beginning and end of each stanza, as they are used to link one stanza to another. This process is called a forming link, a chain, or a corona (hence crown).
To be more specific, the last line of each cinquain is repeated as the first line of the next cinquain.
There is one other slight difference. In the Cinq-Cinquain, the stanza breaks are optional; but in the Crown Cinquain, they are required.

So here in summary, is the Crown Cinquain:

a series of 5 [entire] Crapsey Cinquains, 25 lines total
syllabic count: 2-8-6-4-2 in each stanza
written with breaks between stanzas
rhyme is optional
last line of the previous cinquain repeated as first line of the next cinquain

 

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Spring Lives – A Reverse Cinquain

 

close up photography of yellow flowers

Photo by Jacek Mleczek on Pexels.com

New Life –

Daffodils burst from gracious earth

Golden in their splendour

Spilling their joy

– Spring Lives

 

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 Reverse Cinquain:  Simply a Crapsey Cinquain in which the syllable count appears in reverse order. Adelaide Crapsey’s cinquains utilized a syllable count of 2-4-6-8-2. Therefore, the syllable count of the Reverse Cinquain is 2-8-6-4-2.

Composed in response to Abigail Gronway’s Challenge: at: https://darksideofthemoon583.com/2019/03/08/5-line-poem-challenge-6-reverse-cinquain/

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Three Cinquains

cinquain is a five-line poem, normally without rhyme, but with a specific syllable count of 2-4-6-8-2.  The form was invented by Adelaide Crapsey, an American poet who took her inspiration from Japanese haiku and tanka.  As with most other poetic forms, the cinquaine has since been developed to encompass a variety of ways, whilst always holding to Crapsey’s basic formula.

The following amplification is taken from: ‘The Cinquain’ ByDeborah Kolodii, as published on the  ‘Shadow Poetry’  website …

The ideal cinquain for Crapsey was one that worked up to a turn or climax, and then fell back. Similar to the “twist” that often occurs in the final couplet of a sonnet, a cinquain’s “turn” usually occurs during the final, shorter fifth line or immediately before it. Thus, the momentum of a cinquain grows with each subsequent line as another two syllables, … (are) added bringing the poem to a climax at the fourth line, falling back to a two syllable “punch line”.

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Adelaide Crapsey


I
n another of my occasional attempts at structuring my poetic thoughts into a (to me) new poetic form, I give below three of my own examples of the CINQUAINE.

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My life
Lives in my work
Searching for the right words
Seeking to make them tell the truth
Poet


 

Regrets
Are not for me
Rather, let the past rest
Whilst I live on in the present
With hope


 

Winter
Ends as the Spring
Advances with new life
Bringing hope and joy to us all
Rebirth

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Easter, Love & Cricket

Three RICTAMETERS

A Rictameter is a fixed-syllabic poetry form, similar to the Haiku and the Cinquain   ( Click here See my own cinquain in an earlier blog.  ).  The rictameter starts with a two-syllable word as the first line.  Then the line length in syllables is consecutively increased by two, i.e. 2, 4, 6, 8, 10.  Then down again, from 8, 6, 4, 2.   The final of the 9 lines is required to be the same two syllable word as in the opening line.

The format was created in the early 1990s by two cousins, Jason Wilkins and Richard Lunsford, for a poetry contest that was held as a weekly practice of their self-invented order, ‘The Brotherhood of the Amarantos Mystery’, which was apparently inspired by the Robin Williams film ‘Dead Poet’s Society’.

I have attempted three versions of this format below . . .


cross

EASTER

Absolve
The human race
Release them from their sins
Forgive them their indiscretions
Instead torment me on that cruel cross
That I might thus remind them all
That God our father loves
And all our sins
Absolves.

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loveis2

LOVE

Love hurts
It burns the soul
From lust to jealousy
It does not let up from that pain
So put alongside with its times of bliss
The memories of anguished dread
When all seemed to be dead
All reason says
Love hurts.

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straight bat

CRICKET

Cricket
Keep a straight bat
All that they throw at you
Face up to it with fortitude
Don’t be average be an all-rounder
And when it’s time to pull up stumps
Try to carry your bat
Don’t declare, that’s
Cricket.

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NORTH CAPE … A Cinquain

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The steep cliff of  NORTH  CAPE  (or Nord Kapp), in Norway, is often referred to as the northernmost point of Europe. There is some contention about this, according to how this is defined.  However, the North Cape is the point where the Norwegian Sea, part of the Atlantic Ocean, meets the Barents Sea, part of the Arctic Ocean.  The midnight sun can be seen here from 14 May to the 31st of July. The sun reaches its lowest point here from 12:14 – 12:24 a.m. during those days.

North Cape is inside the Arctic Circle.  On a visit there in 2002, I took the photograph below of a Mother and Child statue, where the child is pointing Northwards towards the Pole, still over 1000 miles away.

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Based on this scene, I wrote the following verse, in the poetic format of a cinquain.

Reach out
At the North Cape.
Pointing the way homeward?
No; He’s pointing to the North Pole;
World’s End.

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Cinquain: a short, usually unrhymed, poem consisting of twenty-two syllables distributed as 2, 4, 6, 8, 2, in five lines. It was developed by the Imagist poet, Adelaide Crapsey, who was born in 1878, the third child of an Episcopal clergyman. She graduated from Vassar College, returning to her high school boarding school, Kemper Hall, to teach literature and history. A few years later, while teaching a course entitled, “Poetics: A Critical Study of Verse Forms” at Smith College, she began a study of metrics which led to her invention of the cinquain as we know it.

In its simplest dictionary definition, a cinquain is a poem of five lines. Crapsey’s cinquain was more specific, a poem of five lines with a specific syllable count of 2-4-6-8-2, usually iambic. The ideal cinquain for Crapsey was one that worked up to a turn or climax, and then fell back. Similar to the “twist” that often occurs in the final couplet of a sonnet, a cinquain’s “turn” usually occurs during the final, shorter fifth line or immediately before it. Thus, the momentum of a cinquain grows with each subsequent line as another two syllables, usually an iambic foot, is added bringing the poem to a climax at the fourth line, falling back to a two syllable “punch line”.

There are several different forms of the Cinquain.    For more information on this, see the ‘Shadow Poetry’ website at:  Cinquain

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Below are three more of my photographs from my visit to Norway’s NORTH CAPE …

Click on any one for a larger image.

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