Coffin of Iron

Photo:  WHB – Somerset, 2019   ©

He had died of his wrinkles
Liver spots and age lines
Gnarled and creviced skin
Dusted and singed
By his Lifetime’s fevered furnace
His lungs smoke-charred
Legacy of a thousand undoused fires

As old as the hills he trod
As the bubbling beck he bled
I see six stalwart pall bearers
Hard as ancient twisted nails
Arise from their bed of iron
Raise the dead-weight anvil
His final ferrous coffin
To shoulder height
Begin a steady passage
Through the leaden winter streets
Beneath those snow-clad Northern Hills
Their shrouded clouded sky
Seemingly forever draped
Atop the silent iron tomb

Carried through the dark gate
To its final resting place
Fitting memorial to a smith’s life
Gifted again to the ironstone earth

In memoriam: Harold Booth, Yorkshire blacksmith & farrier; 1909 – 1987

From a son to his father

River Of Iron

Skinningrove Beck

 

The water flows red

As it streams down from the hills

And I can’t help but feel

As it meets the cold North Sea

That it bears the blood of men

Who laboured in those mines

To bring the iron for me

 

Iron Valley

Photo by Tom Swinnen on Pexels.com

The streams descending from the hills
Ran red with the iron they brought. 
It could as well have been lost blood
For all the wealth they sought.

Plenteous in ore and rich in scope
Those Northern hills were ravaged;
In the name of thrusting Revolution
My native land was savaged. 

The earth’s spoils harvested to feed
the world’s gross need for steel;
So while the master’s pockets bulged
No stop to progress’s wheel. 

The cost was counted in toil and sweat,
In the maiming of the land,
And the crying of unnumbered souls
Who did not understand. 

---

NOTE:  There were 400 fatalities at Eston, North Yorkshire, in the 100 years (in the 19th and early 20th Centuries) the mines were worked there in the Eston Hills, between Cleveland and the River Tees Estuary.

The Wheel Bed

Tyring Platform or Wheel Bed

The wood-burn tang remains,
purpose chosen
elm, oak and ash,
a pungent memory
burnt into my history;
childhood re-visited.

Metal rim fired,
it’s molten circle
beaten into flaky orange ring,
before,
from the flaming furnace, 
tongs at arms’ length, 
cast iron wrought and shaped, 
the new cart wheel
boldly borne
to the fitting-bed, 
its iron collar
to be burnt into place.

 
Then, 
ice cold water on fiery iron
sizzles, 
splash and spurt, 
heat relayed and remembered, 
felt and smelt, 
rooted in my molten memories.

Cold contracted, 
cooled into the tightest of fits, 
road ready, 
task worthy, 
winter prepared
and good to go. 

Another hole in the farmer’s pocket;
Another meal for the smith’s family;
Another tick of my life’s clock.

The vital wheels of forever – 
wood, iron, fire, water,
turning, as cogs
dependent each on each,
as carter, wheelwright, smith, farmer, 
primitive, elemental, 
part of my story
… and of me.

Those who are familiar with my previous writing may recall my upbringing as the son of the village blacksmith. As such, I often watched my father, with hammer on anvil, create both large and small tyres of heated iron. I would look on in awe as, on a huge shaped ring of thick iron, the wheel-bed or platform, the iron tyre would be burned on to the wooden rim of a cartwheel, allowing the contraction of the iron on cooling to bind the wheel to the wood of the wheelwright’s frame.  Few such iron-wheeled carts remain in use.

I Remember The Bellows

Following on from my blog two days ago, ( ‘Fire, Forge and Furnace’ ) in which I attempted to place the work of the blacksmith in an historical context, I thought it may be the time to re-blog one of my very first published poems ( ‘I Remember The Bellows’ ), which described my introduction to the smithy, the blacksmith’s forge and, for me at the time, all its excitement and wonder.

I grew up a long time ago, on the edge of the North Yorkshire Moors, in a staunch Methodist household, the son of the village blacksmith and farrier.  Two abiding memories of my early years were . . .

1. on weekdays, of pumping the bellows to maintain the heat of the fire in his forge, and . . .

 2. on Sundays, of being concealed behind the chapel organ, pumping the bellows to maintain the air to the organ  pipes during the hymn singing.

 For good or ill, BELLOWS thus became a significant part of my childhood, and I recently recalled these formative experiences in the following, light-hearted verses.

 

 

Arms activate,  
Biceps bulge. 
I remember the bellows. 
Let my memory indulge. 

*

 The forge and the furnace  
The farrier’s tools.
His anvil, his hammers,
His tongs and ferrules.

 I build up the heat
Till the iron is blood-shot,
And molten and moulded –
Into what shape I know not. 

*

The pipes and the console
The organist’s tools
His feet and his fingers
Obey all the rules.

 I build up the wind
In the pipes till they sound
Out their diapason
To all those around.

 *

 So, it’s weekdays the smithy
And Sundays the Chapel.
A slave to them both,
And all that for an apple.

 Whilst I labour discretely,
And pump up and down,
They can’t do without me –
Best  aerator in town.