Sir Edward Coley Burne-Jones …’The Sleeping Beauty’ 1871
DREAMLAND
My mind enfranchised in sleep liberated from rationality and conscious executive decision my unconscious set free to roam my history.
The blurred narrative picks and chooses what it wants to portray to examine to reconnoitre.
Personae and locale juxtaposed regardless of sequence of time and of place
A current friend a past acquaintance someone who is no one brought together and the scene is set.
I wander amongst its passage ways through its disjointed scenery meeting both friends and strangers so unclarified and yet telling a minimal story its sequence uncontrolled unfettered by personal decision moving on at leisured pace subject it seems to no control seemingly governed solely by its own momentum no decisions involved in the flow of events linked by no conscious reason aware of scenery of being somewhere half-known but insensate unaware of how I feel towards it.
Then, an arbitrary end to these inconclusive series of events; sometimes just a fading; but at other times an abrupt cessation of the out-of-focus story’s flow an abrupt end often in mid event.
And I am left with traces vague recollections of where indistinct awareness of who no understanding of why no connection to past no sense of a future
Just dreamland half-remembered soon forgotten altogether lost in another time another life a parallel reality or even outside reality but it must be my reality.
My mind enfranchised in sleep liberated from rationality and conscious executive decision
My unconscious set free to roam my history. How that happens to be
London, Victoria Embankment, late 19th Century … Pen & Wash – WHB – 2014
Late autumn evening treading wet leaves on the broad embankment beside the dark river; starry sky and the pavement spotted with lights dark pools between those balustrade sentries the eighty year old yablochkov candles (the country’s very first electric street lights) still throwing the trees’ shadows across the road to Victoria’s gardens.
Perhaps memory twists my tale; mike, dave, wally, ray, with me five of us, fresh lads freshers too up from the far country to study to see the big city to re-start a life men now together soliciting knowledge tempting experience.
Interned for a Chelsea month, then the anticipated incursion, our first excursion into the great city set for new challenges no plan just exploration; for the moment nothing cerebral just life in the moment awaiting a happening neophytic greenhorns.
Walking where Victoria walked, or did she ever really enjoy her gardens by the river? thrilling evening walking that promenade, drinking the sights eating the sounds devouring the smells and tastes soaking up the river and the beer, Victoria’s Embankment Gardens.
We didn’t know it then nor did any of us suspect it was to be ray’s swan song sweet Thames run softly and be his swan song.
Turned up Villiers Street, Kipling’s and Evelyn’s street, tumbled into The Trafalgar, seedy then, well, rare student prices, waitress in black and white I remember the white cap with lace and black band the tiny white apron on black dress alluringly short wiping her hands by rubbing them seductively on her aproned thighs, “what can I get you lads?” … ribaldry … ray “what time do you finish?” … her answer no more than a half-smile;
After the spam fritters and the glorious knickerbockers and more small pink hands attentive hands rubbed clean on lacy white apron, ray’s eyes never taken off them then drinks nothing heavy.
Ray fell must have done from a great height smitten I would say to his adam’s apple core, eyes only for a pretty face and those lacy edges.
Conversation ricocheted across the tables voices spurted out their verbiage as those yablochkov candles expended their light, more raucous than uncouth.
Then the attempt to close to dispense with customers we head for the street ray stays in his seat “’bye chaps, I’ll see you.”
… But he never did.
Nor we him. Ever again.
The Thames Embankment is a work of 19th Century civil engineering which reclaimed marshy land next to the River Thames in central London. It follows the North Bank of the river from Westminster Bridge to Blackfriars Bridge.
The Victoria Embankment Gardens , built also in the latter part of the 19th Century, separate the embankment and the road running alongside from the buildings on the south side of Whitehall, Trafalgar Square and The Strand.
Villiers Street is a short connecting thoroughfare, now mainly pedestrianised, running from the Thames Embankment and Charing Cross underground Station uphill to the Strand, Charing Cross Mainline Railway Station and Trafalgar Square. It contains many restaurants and eating establishments. The Trafalgar Cafe, however, can no longer be found there.
Poem by WHB and re-published in memory of Dave and Mike – now passed on to where all memories are filed and all mysteries are resolved.
He caught my eye in the heat of afternoon Transfixed my gaze for seconds A cardboard cutout of a man Alone and palely loitering
Transfixed Imprinted in that fleeting glance The bespoke figure etched in my vision’s glass Brought a faltering wisdom
Leaning on my sense of time Disturbing my sense of normality Suggesting some bizarre fantasy Relating to Old Father Time A reminder of both past and present Yet warning of what is to come A comment on my state of mind And on my own unstable sanity A pronouncement best left to fade To curdle in the whey Of a newly felt despondency.
The sense that age had brought me no peace Only an uncertainty That caused me to doubt Not only my present vision But my once accepted faith in a sure future Hitherto grounded in certainty But now clouded in the unknown And coloured in the shadows of doubt
catspaw on the naked river run the gauntlet let it flow now the murk amidst the mountains gives the world a humid grace try to press for more excitement midst the banality that runs apace
trigger guests and bring them weeping to that latent humble home there to quench the embers burning letting life remember lust and so distinguish hope from wanting bringing resolution to purpose an end to speculation no last favours granting
the instant instance the shimmering shade the glorious glory of the everglades burnt out shell of that softer softness forget the unforgetting minute press the button that says refresh.
{ By way of clarification, a follow-up to the above poem will be published in 2 days time – on Wednesday 20th November }
Let me go Let me run in the early dew To brush against the laurel’s leaves Tread the cool earth’s cushion And linger in the dampness of the silent wood.
Before the cooing of the collared bird, The bite of the new day’s busy-ness, Its threats and promises, Breaks into the stillness of my morning world And ruptures this mood of mystery Of thrill and almost menace, Leaving me to face another day of reality One more acceptance of the wrenching truth.
Magic is the catalyst for change It stirs the open mind Bringing meaning to Mystery Blessings to Belief
And when the cauldron of mist is stirred Then both the Gloom And the Glitter are captured Restrained Resuscitated Then allowed to flourish
To become hope for the future Of the world’s Sorcery The creation of a new reality The super and the supra-natural essence Of what has been The foundation of what will yet be Channeling the birthright of an abiding And more fulfilling Necromancy.