Life Force – 2

Mantegna – ‘Samson & Delilah’

LIFE  FORCE – TWO

“These fragments I must shore against my ruin.”

I wish to put a hold on life,
freeze it at this instant;
stop my headlong race to reach
some intangible resolution
before life, and with it death,
overtake me.

Yet, a wanton fervour
forces me to write;
a defining greed pushes me on;
a need to achieve,
to find the telling phrase
to verify my competence.

There is a frenzy on me,
a new lust for life
alien to my past;
but still I draw on that very past
to colour the present
and steer me into my aspired future.

My imperative is to leave an imprint
on the foreshore of my life
before its tide recedes.
Regardless of renown,
I wish to leave a noble fragment of myself
with a proven hint of worth
to carry me beyond my grave.

Such fragments,
the flotsam of my endeavours,
washed up  and left
for those seashore scavengers,
those ardent beachcombers
of other people’s detritus;
my scraps left for Autolycus to pick over.
I need the harvest of my life to be
another’s prized perception,
their acquired inspiration.

And yet I know I must desist,
I must allow those morsels,
slivers of myself already extant,
to speak for themselves,
to represent me to the future.

I must accept
that already
I have utilised my credit with the past
and created my memorial for the future.

“These fragments I must shore against my ruin.”

The quotation appearing at the beginning and end of my poem is, slightly adapted, taken from T.S.Eliot’s poem  “The Wasteland”.

Delilah, of course, took away Samson’s Life Force, his strength, by cutting off his hair whilst asleep.

REGRET

And now the past pains the present again
Those vivid re-lived passages smart
So I try to disengage my memory
And the sorrowing sobs do not reach my heart.

But the regret will end, it always does.
Nothing retains its sting so long
That memory can’t in time evade.
And what is left … is bitter, bitter circumstance.

Friday – ‘Cometh The Hour’

woman in black tank top and black pants sitting on gray concrete floor

Photo by Retha Ferguson on Pexels.com

 

An aphorism for each day, keeps the doctor away. Each day this week I am offering a common aphorism, just slightly embellished – for good or ill.

 

Friday – ‘Cometh The Hour’

 

Cometh the hour, cometh the man;

I hope he’s waiting in the wings.

Our world most surely needs him now,

Someone who love and wellness brings.

 

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Amen Corner

Amen Corner2

A house in which to end my days.
Goodbye it says to all,
For here at last I am content
Behind my garden wall.

The name I gave it says it all,
How still, at peace, and blessed,
How glad am I to know such joy,
To be by love possessed.

That final farewell anthem,
When it is heard at last,
Will sound around these humble walls
Where present meets the past.

For I have lived a life I loved,
Loved the path I’ve trod.
Amen was written on my heart
In this my House of God.

A Devon Cottage, England

 

Three Cinquains

cinquain is a five-line poem, normally without rhyme, but with a specific syllable count of 2-4-6-8-2.  The form was invented by Adelaide Crapsey, an American poet who took her inspiration from Japanese haiku and tanka.  As with most other poetic forms, the cinquaine has since been developed to encompass a variety of ways, whilst always holding to Crapsey’s basic formula.

The following amplification is taken from: ‘The Cinquain’ ByDeborah Kolodii, as published on the  ‘Shadow Poetry’  website …

The ideal cinquain for Crapsey was one that worked up to a turn or climax, and then fell back. Similar to the “twist” that often occurs in the final couplet of a sonnet, a cinquain’s “turn” usually occurs during the final, shorter fifth line or immediately before it. Thus, the momentum of a cinquain grows with each subsequent line as another two syllables, … (are) added bringing the poem to a climax at the fourth line, falling back to a two syllable “punch line”.

AdelaideCrapsey

Adelaide Crapsey


I
n another of my occasional attempts at structuring my poetic thoughts into a (to me) new poetic form, I give below three of my own examples of the CINQUAINE.

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My life
Lives in my work
Searching for the right words
Seeking to make them tell the truth
Poet


 

Regrets
Are not for me
Rather, let the past rest
Whilst I live on in the present
With hope


 

Winter
Ends as the Spring
Advances with new life
Bringing hope and joy to us all
Rebirth

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My Christmas Ghosts

MY CHRISTMAS GHOSTS

   … Three Christmas Senryu …

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They live on in dreams
Friends who once enriched my life
Ghosts of Christmas Past

 

holly

 

Ghosts of Christmas Now
Fill my days and haunt my nights
Bring both joy and fear

 

holly

Loves I’ll leave behind
Ghosts of Christmas Yet To Come
They are my future

holly

 

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NOTE:  Senryū is a Japanese form of short poetry, similar to haiku in construction: three lines with 17 syllables, usually arranged as 5/7/5.   Senryū tend to be about human foibles, while haiku tend to be about nature.   (Adapted from Wikipedia)

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