The Applegarth

Guisborough Priory, N.Yorkshire

The APPLEGARTH

When morning
meets my melancholy
I must refocus
dispel my clouds
and reconnect to nature
through her glory

The garth gate invites
pledges enchantment
such memories harboured here
once the cloister garden
of my medieval monastery
now still the repository
of the priory’s peace
ancient orchard
now transformed
but still a place
to rejuvenate the soul
to touch
feel and taste
nature’s serenity

   The morning mist
lingered low
over the once fallow fields
then no longer virgin earth
but become thick with apple trees
and those
long gone
and autumn dormant now
awaiting its wheat-carpeted
summer season

The morning advances
only half-appreciated
until the
the priory arch
proud against the sky
bursts through the mist
into the weak sun’s gaze
the veiled sky
allowing
the gathering sunlight
slowly
to prove its strength
and bring clarity
to a waiting world

And The pathway
its ancient course
 piercing its length
into the shrouded distance
remembrancer now
of those Augustinian brothers
traversing
this ancient orchard

who with such care
tended nature’s gifts
now bare of fruit
but never fruitless
no longer cosseted
by priestly presence
and full of nuanced context still

For me …

The Applegarth
my own memory
of this sanctified place
sings of golden corn
bordering that arrowed path
where also was
the winning post
the last gasp
of those long-past
teenage
distance running races
marking my triumphs
measuring my success
against the countless strides
I had wrenched
from my straining body
to accomplish
to lead the race
the end of endeavours
signifying my own
my personal
accomplishment.

The Applegarth,
a trope
my metaphor
for my life.

Photographs by WHB . . . 2016



 

The  FOLLY

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THE  FOLLY

 

It might well be a fancy flight
a seemly sight
to pierce the night

The ruin stands by planned design 
stately in its verdant dell
beside the lake
a tableau there 
no history to tell

Reflections guaranteed to please 
float beside its stones
imaging false contrast
in the water’s mirror
a mirage of a potent past

To build a ruin seems absurd
why would you do it
the thought occurred

Perhaps to glory in the past
show time has passed
and nought can last

But as I wander within its wall
dark and damp
and weather worn
stained in moss
and ivy clad
I feel that here
real history lies
a tale so sad
a mystery

I do recall how
in its recent age
it yet was young
was burnished bright
both stone and tiles
a comely sight

To see an abbey in its prime
no sort of crime
merely a jest with time

Fanciful, a fantasy, 
undoubtedly a fallacy
yet
reflection of a legacy
portrayal of a history

 

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A Lifetime Away

A Lifetime Away

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Photo … Priory East Window – © WHB

 

Three hundred miles
and a lifetime away
from the place where I was born 
the memories are vivid
burned into my soul
heightened by distance
by time past

Ghosts of my past
inhabit my dreams
chances gone begging
opportunities missed
loving and leaving
a heritage of hope
bringing certitude
where doubt once held sway.

I loved and love
those dark purple hills
outcrops and the Nab
towering over the town
Cass Rock
where Sisyphus finally capitulated

Beyond these,
just rolling
heather clad moor
soft dales 
grey-green heathland,
burnt golden yellow gorse
and swaying bracken

And on the scarp slope
the detritus of iron mines
defunct air shafts
ancient workings
the ruins of hard labour
and alongside these
pyramids of shale and slag
creating their own foothills
bracken spores now binding
their surfaces
reconstructing life
nature reclaiming its own

And the view which nurtured me
from my school room
of graveyard and priory
its arched east window
tracery shattered
configuring my sky

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‘Priory and Applegarth . . . Pen & Wash – WHB

The ancient stone dovecote
now sheltering jackdaws
ravens, blackbirds.
the Norman arched gateway
still standing adrift
isolated from the remnants
of its dismantled
castellated walls
whose dispersed masonry
now furnishes
so many of the town’s dwellings

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Norman Arch &Dovecote … Photo ©WHB

The mill pond stocked still
by the descendants of those
pre-dissolution carp
the Augustinians first introduced
fed and nurtured

The monk’s walk
cloistered
by beech and birch
sheltering silent contemplation
which
even now
as I tread in their footsteps
I replicate
in awe and reverence

And in the Apple Garth
where now the wheat
is harvested
still a silent windswept
arbour
now lovers
not penitents
linger
embrace
exchange kisses
and vows.

Thus am I now
beholden to the past
nurturer of my present
promise of my future

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Hills on the north scarp of the North Yorkshire Moors

 

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The APPLEGARTH

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The APPLEGARTH

When morning
meets my melancholy
I must refocus
dispel my clouds
and reconnect to nature
through her glory

gisbro-applegarth1

The garth gate invites
pledges enchantment
such memories harboured here
once the cloister garden
of my medieval monastery
now still the repository
of the priory’s peace
ancient orchard
now transformed
but still a place
to rejuvenate the soul
to touch
feel and taste
nature’s serenity

gisbro-applegarth3

   The morning mist
lingered low
over the once fallow fields
then no longer virgin earth
but become thick with apple trees
and those
long gone
and autumn dormant now
awaiting its wheat-carpeted
summer season

gisbro-applegarth4

The morning advances
only half-appreciated
until the
the priory arch
proud against the sky
bursts through the mist
into the weak sun’s gaze
the veiled sky
allowing
the gathering sunlight
slowly
to prove its strength
and bring clarity
to a waiting world

gisbro-applegarth2

And The pathway
its ancient course
 piercing its length
into the shrouded distance
remembrancer now
of those Augustinian brothers
traversing
this ancient orchard
who with such care
tended nature’s gifts
now bare of fruit
but never fruitless
no longer cosseted
by priestly presence
and full of nuanced context still

For me …

The Applegarth
my own memory
of this sanctified place
sings of golden corn
bordering that arrowed path
where also was
the winning post
the last gasp
of those long-past
teenage
distance running races
marking my triumphs
measuring my success
against the countless strides
I had wrenched
from my straining body
to accomplish
to lead the race
the end of endeavours
signifying my own
my personal
accomplishment.

The Applegarth,
a trope
my metaphor
for my life.

gisbro-applegarth5

Photographs by WHB . . . 2016

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DISSOLUTION

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Priory Arch from, the Applegarth

DISSOLUTION

These remnants of the past adorn the present, 
Relating the aspirations of their birth,
Attaching the future to their past.

How dominant in silhouette
The ruined priory stands;
How assertive its very existence.
The faith that built its aspiring arch,
That held its hope through devotion
And a staunch religious life,

Remains in every desecrated stone,
Each weathered rock;
Still a monument to conviction,
A parable of faith.

What distinction a ruin can give,
Purpose disclosed in symmetry.
The shell recalls its torrid past, but
Hope was not destroyed along with stone.
These skeletal embers still speak of belief;
The story told in its remains,
Its hold on today still firm.

This bygone glory, the Dissolution’s ruins,
Transformed into the splendour of today;
Despair turned into hope.
This testimony from the past
Now, our treasure of the present.
Destruction brought about by time,
Ruins preserved in dignity,
Have now conveyed perspective to the present.
The toil of centuries brought to ignominious end,
Their dissolution brought about a resurrection.
In dissolution – a new life was created;
These remnants of the past adorn the present.

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Gothic Arched East Window

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Norman Arch and Medieval Dovecote

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gisbropriory2My photographs were taken on a recent visit to Gisborough Priory on the northern edge of the North Yorkshire Moors National Park.  My thoughts as presented above, although they followed from this visit and from many previous visits, apply also to the very many historic remains throughout the United Kingdom subsequent to the Dissolution of the Monasteries in the 16th Century.

Viewers of Roland’s Ragbag will note that an image of this same Priory East Window (not my own photograph) is used as header to all my blog pages.

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Lindisfarne Castle

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Lindisfarne Castle viewed from Lindisfarne Priory . . . Photo … WHB  – 2008

Lindisfarne is the Anglo-Saxon name of the island off the North-East coast of England which is more generally know as Holy Island, or as ‘The Holy Island of Lindisfarne’.   It is a tidal island and is cut off from the mainland twice each day.  A paved causeway connects it with the mainland for a few hours at low tide.

For many centuries the island was subject to raids from marauding Vikings.  It became an important centre of Celtic Christianity, and the saints Aidan, Cuthbert, Eadffrith and Eadberht were prominent figures in its ecclesiastical history.  It was St Aidan, coming from Iona in Scotland, who founded the first Priory on the island in the 7th Century. This became the base for the spread of Christianity throughout the North of England.  St Aidan lived on the island until he died in 651.   The famous illuminated manuscript known as the Lindisfarne Gospels was created at the Priory during the early years of the 8th Century.

Perhaps the most prominent, if not the most significant, feature on the island is its castle, positioned on an outcrop of rock at the water’s edge.   Following the dissolution of the monasteries by Henry VIII, it was built in 1550 in defence against attack by Scotland and their Spanish allies.  In the 19th Century, in private ownership, the castle was renovated by Arts and Crafts architect Edwin Lutyens, and a small but enchanting walled garden was created there by Gertrude Jekyll.

The idyllic location of the Castle has intrigued and inspired for centuries. The view from the top is truly magnificent.   The castle is now managed and maintained by the National Trust.

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The Gallery below contains some of my own attempts to capture the unique nature and character of this fascinating place.   Click on any one of the images to open a slide show containing 3 of my photographs and 3 of my pen and wash sketches, all with a view of Lindisfarne Castle . . .

 

 

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