Life ahead you See
Was never just about Me
For you and I will Be
Ever and always ‘We’
When I was young and foolish, she was winsome, sweet and cute,
I was given to firkytoodling, a pleasurable pursuit,
Practised by young lovers with a semblance of finesse,
Yet fraught with muffed advances and frustration I confess.
The way matters proceeded was with hesitations fed,
With never a suggestion of retiring to a bed.
No, circumspection ruled and held us all within its thrall,
For fear of finding that we didn’t have the wherewithal.
Not quite understanding as to where it all might lead,
And a minimal perception of what it meant to breed.
Plus a fear of breaking all those long instilled taboos,
Which governed all the protocol on cuddling, smooch and schmooze.
I tried to reason with myself, to tell myself to try,
Just let my wandering hands explore and not to be so shy
For she had let me get this far, an arm around her neck,
So surely now she’d let me have more than just a peck.
So I attempted in the dark, a first-time “Do I dare? “
A fumble here, a fiddle there, the lightest touch in hope elsewhere,
Investigating bra straps and those buttons on her blouse,
Fumbling fingers trying hard her passion to arouse.
Then fatally, I hesitated, faltered, flinched and dithered,
I’d lost my will, my heart stood still, all resolution withered.
I’d been turned on, fluffed chance now gone, and fate got in the way;
The moment passed, and soon I knew, today was not my day.
[ # 82 of My Favourite Short Poems ]
‘Another Unfortunate Choice’
I think I am in love with A. E Housman,
Which puts me in a worse-than-usual-fix.
No woman ever stood a chance with Housman
And he’s been dead since 1936.
A tale of unrequited love – By Wendy Cope
Reproduced from ‘The Big Book of Little Poems’ (Pub: Andrew Deutsch Classics)
I know you’re suspicious,
My thoughts are capricious
And highly fictitious
Yet hardly seditious.
Life is so delicious;
But, of course I’m ambitious,
The time is propitious.
The signs are auspicious,
And you know I’m judicious,
Not one to be officious,
Superstitious or vicious,
Not ever lubricious,
Nor in the least avaricious.
OK, I’ll be surreptitious,
So you can remain suppositious
… Although , I am REPETITIOUS.
[ Wednesday Replay # 1 ]
Previously published on Roland’s Ragbag on August 6th 2016 at:
‘Early 20th Century Autograph Books’
Autograph books, where they exist, are now used mainly for collecting the signatures ( or at least the scribbled ciphers) of the latest popular music or sports star.
Compare this scribble below by Wimbledon Champion, Andy Murray, in 2013, with, from my own autograph collection (of 2), this perfectly legible autograph of England and Yorkshire batsman, Len Hutton, obtained in the 1940s . . .
100 years ago Autographs Books were primarily more for the collecting and usually exchanging, of aphorisms, homilies, comments, pithy verses, simple drawings, personal messages, with friends and relatives.
These autograph books of the first half of the 20th Century, give a clear picture of the social mores and conventions of the time. Their contents can be clearly seen as a means of passing popular wisdom on to subsequent generations. Nowadays they may be thought of by some as schmaltzy, even maudlin, but they do present a picture of the tastes and sentiments of that time and help to remind us of a much simpler and less cynical age.
I REPRODUCE BELOW, In Slide show format) SOME OF THE SKETCHES FROM MY OWN FAMILY’S AUTOGRAPH BOOKS – THE MAJORITY OF THE ENTRIES ARE DATED 1929.
Beware sweet maid when men come to thee
And say they seek their soul’s affinity
When all they want, the base espousers,
Is someone to sew buttons on their trousers.
‘Just a few lines from a would-be poet’
It’s very hard to find a friend
When your heart is full of hope.
It’s harder still to find a towel
When your eyes are full of soap.
In ascending the hill of prosperity
May you never meet a Friend
It’s not the one that knows the most
That has the most to say.
Nor yet the one that has the most
That gives the most away.
Love is like a mutton chop
Sometimes cold – Sometimes hot
Whether cold or whether hot
It’s not a thing to be forgot.
‘Taint what we have,
But what we give,
‘Taint what we are,
But how we live,
‘Taint what we do,
But how we do it,
That makes life worth
Going through it.
Make new friends but keep the old,
One is silver, the other gold;
Cheeks may wrinkle, hair grow grey,
But friendship never knows decay.
When the golden sun is sinking,
When your time from care is free,
When of others you are thinking,
Will you sometimes think of me?
Written in faltering, scratchy handwriting …
This is a damned bad pen you’ve given me!
[ # 74 of My Favourite Short Poems ]
John Clare (1793 – 1864) was an English poet. Born in Northamptonshire, he was the son of a farm labourer, who became known for his celebrations of the English countryside and for regularly expressing sorrows at its disruption. His poetry underwent major re-evaluation in the late 20th century and he is now often seen as one of the important 19th-century poets. His biographer, Jonathan Bate, states that Clare was “the greatest labouring-class poet that England has ever produced. No one has ever written more powerfully of nature, of a rural childhood, and of the alienated and unstable self.” Many of his poems are filled with a joy he experienced in nature and the countryside. Sadly, however, for the last 25 years of his life Clare suffered from mental illness and was incarcerated in a mental institution. In this wistful soul-searching poem, described by some as “one of the greatest poems of sheer despair ever written”, Clare spills out his desolation and detachment from a life which he would dearly love to have lived . . .
I AM! yet what I am who cares, or knows?
My friends forsake me, like a memory lost.
I am the self-consumer of my woes,
They rise and vanish, an oblivious host,
Shadows of life, whose very soul is lost. 5
And yet I am—I live—though I am toss’d.
Into the nothingness of scorn and noise,
Into the living sea of waking dream,
Where there is neither sense of life, nor joys,
But the huge shipwreck of my own esteem 10
And all that’s dear. Even those I loved the best
Are strange—nay, they are stranger than the rest.
I long for scenes where man has never trod—
For scenes where woman never smiled or wept—
There to abide with my Creator, God, 15
And sleep as I in childhood sweetly slept,
Full of high thoughts, unborn. So let me lie,
The grass below; above, the vaulted sky.
As when the waves rage
So does my turbulent life
Beat upon my shore
As when the sky weeps
So do my eyes shed their tears
For those friends now gone
As when the wind gusts
So does my discontent rage
For those without love
(No.67 of my favourite short poems)
Photograph – WHB ©
Tonight at noon
Supermarkets will advertise 3p extra on everything
Tonight at noon
Children from happy families will be sent to live in a home
Elephants will tell each other human jokes
America will declare peace on Russia
World War I generals will sell poppies on the street on November 11th
The first daffodils of autumn will appear
When the leaves fall upwards to the trees
Tonight at noon
Pigeons will hunt cats through city backyards
Hitler will tell us to fight on the beaches and on the landing fields
A tunnel full of water will be built under Liverpool
Pigs will be sighted flying in formation over Woolton
And Nelson will not only get his eye back but his arm as well
White Americans will demonstrate for equal rights
In front of the Black house
And the monster has just created Dr. Frankenstein
Girls in bikinis are moonbathing
Folksongs are being sung by real folk
Art galleries are closed to people over 21
Poets get their poems in the Top 20
There’s jobs for everybody and nobody wants them
In back alleys everywhere teenage lovers are kissing in broad daylight
In forgotten graveyards everywhere the dead will quietly bury the living
You will tell me you love me
Tonight at noon
Adrian Henri was born in Birkenhead, near the port of Liverpool, England, in 1932. He described his early philosophy as “If you think you can do it and you want to do it—then do it.” Along with Brian Patten and Roger McGough, Adrian Henri was the third member of the group who came to prominence in 1967 on the publication of ‘Mersey Sound’, the Penguin anthology of the Merseybeat or Liverpool Poets.
As an artist of often surreal paintings, this was also at times apparent in his poetry, as in ‘Tonight at Noon’ which I feature above. There is humour here along with the pathos of the ending where it is realised, but only at the very end of the poem, that the poet is considering all the impossible happenings which would need to take place before his love was likely to be returned. Henri died in 2000 and is buried in Montparnasse Cemetery, Paris, France.
In 2004, one of my daughters lived on a farm overlooking the Exe Valley in Devonshire, England. The ducklings which I write about below had imprinted themselves on her shortly after their incubated birth, and they would regularly follow her as she walked around the farm and on to the farm duckpond.
greet my world,
meet your world,
oft times wild –
do your best to love it.
Now let’s go for a walk
… while I talk
No, don’t duck out of my suggestion,
just follow me and I’ll show you life,
you’ll take to it
like a duck to the waters;
pretend you’re my daughters.
For you are Devon ducks,
yes, Drake Country, I know,
but every drake needs a duck,
as they say in these parts;
not your Cockney ducks
they’ve very hard hearts.
Don’t believe them when they say
“out for a duck”;
don’t take it personally;
it means Nothing –
just innocent banter,
they know you’re a fledgling.
No, “out with the ducks”,
now that’s more like it.
So don’t be glum,
think of me as your mum,
and follow me to the pond
there’s a duck house down there,
painted duck-egg blue,
just the home for you.
You’ll like it there
and I do know
when you grow up
you may lose a few eggs
shell shock they call it
all in good cause
we humans enjoy them
try not to condemn
nous les adorons
ces sont si bon
and when at the pond
just watch out for Jethro
our farm dog you know
he’s a bit of a barker
a real nosey-parker
duck down when you see him
or go for a swim
and, talking of duck down,
better put your coats on
it’s going to get chilly
no, not chilli hot
so be good as gold.
now, will you be told!
Let’s pause for a selfie
no, don’t make that duck-face
pouting doesn’t suit you
the camera will shoot you
If you are good
as your mater
i’ll let you loose
on the web
you’ll learn so much there
but please do beware
best avoid Mr Blumenthal
all duck and waffle
your feathers he’ll ruffle
he’d feed you too well
making you swell
for his ‘Fat Duck’ menu
I’d better not continue
… but remember …
it’s not yet December
I could get 250 pounds for you there.
that’s 500 for the both of you
so don’t annoy me
I’m not your employee
Just follow me
i’m your funny mummy
just imprint that on your
just remember you’re mine
and we’ll get along fine.
Diamonds, diamonds and stars
by Sam Allen
Words from the Heart
Writing as a Help to Thought
Writing poetry on the nature of humanity ...and vise versa.
A writer inspired by nature and human nature
short prose, fiction, poetry
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~I write stuff~
Dream of travelling the world and post stories from destinations I actually make it to
If writing is your dream, you are at the right place!
the side of me most people never see
Great poets live on the edge of sanity; mediocre ones reside in the suburbs.
Life Is Beautiful