Nature’s Evensong

©  Photograph … ‘Sunset’ – courtesy of Canadian artist, Alma Kerr

 

Sunset

and the soulful sound

of the sea

seduces my senses

in the calm

of this still summer’s eve

ripples roll gently towards me

from the red sun-kissed sea

silhouette sails

hug the horizon

purposeful gulls

tread the foreshore

forever watchful

while I

a silent spectator

scan the scene

evening’s tableau

serene

and yet wholly alive

entranced and awed

mesmerised

beyond beauty

by Nature’s evensong

its benediction

on a desperate world

carry your heart with me

I Carry Your Heart With Me by E.E.Cummings – Poetry Reading

[i carry your heart with me(i carry it in]

BY E. E. CUMMINGS

i carry your heart with me (i carry it in
my heart) i am never without it (anywhere
i go you go, my dear; and whatever is done
by only me is your doing, my darling)
                                  i fear
no fate (for you are my fate, my sweet) i want
no world (for beautiful you are my world, my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart

i carry your heart (i carry it in my heart)

Below from:

https://www.poetryfoundation.org/poets/e-e-cummings

As one of the most innovative poets of his time, E.E. Cummings experimented with poetic form and language to create a distinct personal style. A typical Cummings poem is spare and precise, employing a few key words eccentrically placed on the page.

. . .

By the time he was in Harvard in 1916, modern poetry had caught his interest. He began to write avant-garde poems in which conventional punctuation and syntax were ignored in favor of a dynamic use of language. 

…

M. L. Rosenthal wrote in The Modern Poets: A Critical Introduction: “The chief effect of Cummings’ jugglery with syntax, grammar, and diction was to blow open otherwise trite and bathetic motifs through a dynamic rediscovery of the energies sealed up in conventional usage…. He succeeded masterfully in splitting the atom of the cute commonplace.”

THREE RONDELETS

The RONDELET   is a poetic form originating in France.  It consists of a single septet (7 lines) with just two rhymes and one repeating refrain, in the fom of: AbAabbA.  (The capital letters represent the repeats. The 3 refrains (A) are written in tetra-syllabic (dimeter) and the other lines are twice as long, these being octasyllabic (tetrameter).

Below I print three of my attempts at constructing a RONDELET – all on the subject of ‘PARTING’ . . .

Scanned image by Philip V.Allingham of a wood engraving by Dalziel at: http://www.thevictorianweb.org

ON PARTING … 1

Tell me to go
I know at last that we are through
Tell me to go
 The damage is to all on show
 And time is up for me and you
Better move on to pastures new
Tell me to go

ON PARTING … 2

But now we part
I know I’ll miss your every kiss
But now we part
The hurt has caused my broken heart
I am not given to reminisce
But your embrace I know I’ll miss
But now we part

ON PARTING … 3

(A similar form, but not strictly a Rondelet,

the lines of the refrain being in trimeter ! )

Love me or let me go
The hurt is more than I can bear
Love me or let me go
Stop dealing me that parting blow
You tease and tempt my heart to ensnare
Without a thought to commit or share
Love me or let me go

The description, with examples, of this poetic form can be found on the :
  ‘Shadow Poetry’  website

Six Lanturnes

The LANTURNE is a traditional poetic form which has a five-line verse, normally without rhyme, in the shape of a Japanese lantern.
It has a syllabic pattern of one, two, three, four, one.
Below ,I have composed six loosely connected verses in this form . . .

  Raise
 your voice
 make it ring
don’t let it die
   sing

Vows
last long
when new but
promises  soon
   die

  Love
  yields hope
 but time tells
and soon it dies
    hurt

    Life
 brings joy
But  sorrow
Intrudes too soon
    … Damn!

 I
alas
will die soon
leaving this life
  hurts

Cry
and ask
this fool world
to  forgive  your
    tears

Sharing the Glow

Photo: Loch Awe,Scotland . . . WHB 19990

Sharing the Glow

I remember that evening –
The sun sinking low,
When you stood beside me
Sharing the glow.

We bathed in that splendour –
That golden sunset,
Drenched in that promise
I’ll never forget.

I held your hand tightly,
Placed a kiss on your lips
In youth, in the gloaming,
The lie was eclipsed.

For then we were young,
Life had not bitten hard.
Our futures seemed certain
But we let down our guard.

I left with a pledge,
But never returned;
Dissolved into dreams
Your derision I earned.

But now we are older,
Life has taken its toll.
Is it too much to ask,
Can I recapture your soul?

Now that same sun is sinking
Setting fire to the sea;
Can this Phoenix bring hope
To you and to me?

Let me hold your hand now,
Place a kiss on your lips,
For bliss in old age
Does all else eclipse

THE TORCH I CARRY

‘The Depths Of The Sea’ (The Lure Of The Sirens) … Sir Edward Coley Burne-Jones (1881

THE TORCH I CARRY

I carry a torch for the ocean
In her relentless swell I am held
My light will see me to the foreshore
Where vast wave and mild ripple meld.

For though my love’s unrequited
As I walk on the shore by the sea
The sight and the sound of her motion
Bring solace and hope back to me.

For when I watch her crescendo
Its beauty and force I admire
The sigh and the roar of her surges
Are those of a celestial choir.

My heart is in thrall to her passion
Her awesome breakers I ride
White horses call me ever forward
To meet the turn of the tide.

And when she is still as a millpond
My senses respond in repose
My life consummates in devotion
All yearning brought to a close.

Yes, the lure of the Siren defeats me
I am snared by her destructive song
I have given my all to her beauty
Now only to her I belong.

Am Not Your Toy Boy

‘Toy Boy’ – Pen & Wash WHB . . . 2017

I AM NOT YOUR TOY BOY

Had enough of being your toy boy

I am not a toy

I am marked

‘Not to be toyed with’

It’s happened to me before

I’m much wiser now

Won’t let it happen again

To have my affections trifled with

Is no trifle

Hurts and damages any toy.

So think again dear lady

Find some other mug

One with a wealthier handle

Or one with a see-through wallet

Besides I don’t do the clubs

Not cougar-fodder

I don’t need to re-live my youth

In someone else’s image

We’re not on Route 66

And, for me, selfies are verboten

You catching me in a spin

Texting those wild come-on

WhatsApps

For your later production in court.

Ought to be ashamed – and at your age!

Me – pushing eighty

And you …

I don’t care how you get your kicks

You must be all of ninety six.

LIFE’S JOURNEY

TODAY I AM TACKLING A POEM USING THE ‘OTTAVA RIMA’ POETIC FORM.

Originally an Italian stanza of eight 11-syllable lines, with a rhyme scheme of ABABABCC.  Sir Thomas Wyatt first introduced the form in English, and Lord Byron adapted it to a 10-syllable line for his mock-epic ‘Don Juan’.  W.B.Yeatsnotably used it for his poems “Among Scool Children’ and ‘Sailing to Byzantium.’

[ Adapted from http://www.poetryfoundation.org ]

Sir John Everett Millais … ‘The Boyhood of Raleigh’ (1870)

OTTAVA RIMA

LIFE’S JOURNEY

I long to travel through my life again,

To have the same beginning but to change

The choices that have given me such pain

And turn them into something rich and strange;

Transform those scenes to sunshine from the rain,

The order of their happening rearrange.

My hope would be to bring new meaning to

My life-long search for love and joy with you.

W.H.Booth (aka Roland Keld)… 21/5/17

ETHEREE

Today I am ‘having a go’ at the Etheree poetic form.  It is somewhat similar to the Cinquain and the Rictameter, both of which I have tackled previously.   The Etheree is a ten line form ascending in syllable count for ten unrhymed lines, and it should focus on a single idea or subject.    Thus the syllable count is in the form:  1.2. 3. 4. 5. 6. 7. 8. 9. 10. 
This can be altered to give a Reverse Etheree:  10.9.8.7.6.5.4.3.2.1.

The form is attributed to an American poet, Etheree Taylor Armstrong of Arkansas (1918 – 1994).  Little seems to be known of her life except the poetic form she devised.

Notes adapted from ‘The Poets’ Garret’ et al.  

I have attempted both forms below – on the subjects of ‘Idleness’  and  ‘Life’ …

‘Love In Idleness’ . . . Pen & Wash – WHB

IDLENESS – A REVERSE ETHEREE

Today I vow to spend in idleness,
to do no more than listen keenly,
allow the world to speak to me,
while I, in turn, consider
which way my life now  leads,
trying to find peace
within my mind
that will see
my life
through.

LIFE – A REGULAR ETHEREE

Life,
in truth,
defeats me.
Midst storm and stress
I struggle to keep
that equilibrium
which holds me in its stillness,
waiting with some trepidation
for that final push to reach the stars
where my disquietude will cease to be.

No Blue Plaque

NO BLUE PLAQUE

No blue plaque here
but
in that house
in that room
I was conceived.
In the same house
in the same room
then I was born.

First child
Only child
Undistinguished house
undistinguished room
undistinguished birth.

But blessed with
the Conquering
Blood and Fire
General’s name.

It had to be that way.
Aren’t all births
distinguished only by their
unglamorous spectacle?

Not something I asked for
nor desired.
No regrets
but there were
Consequences.
Oh, yes.
Eighty years
of consequences.
My history
My responsibility
My river’s ride
through childhood rapids
to maturity’s turmoil
and turbulence.
Becalmed now
in dispiriting dotage
its stillnesses
its infirmity and nostalgia.

What follows
eventually
as I merge
with the looming ocean
waiting
to receive me?

Memories fade for me
Yet I know
some continuity remains
where these same images
 have been handed on
to those loved ones
who will remember.

But now
in moments of tranquility
my responsibility
for my past
presses hard
until those times when
 my love surges
to outweigh my guilt
and again
for good or ill
my scarred soul
returns to its past
and wonders.

… and time treads on
as I stare at the window
the nets shielding its secrets.
Now
just as they did then
So long ago.

Photographs … WHB – Yorkshire (2016) and Sussex (2009), UK